{"id":3481,"date":"2026-10-28T19:03:05","date_gmt":"2026-10-28T17:03:05","guid":{"rendered":"https:\/\/www.praksis.org\/makale\/hafizaya-karsi-hafiza-1990-sonrasi-turkiye-sinemasinda-ses-kasetleri\/"},"modified":"2026-10-28T21:11:57","modified_gmt":"2026-10-28T19:11:57","slug":"hafizaya-karsi-hafiza-1990-sonrasi-turkiye-sinemasinda-ses-kasetleri","status":"publish","type":"praksis_makale","link":"https:\/\/www.praksis.org\/en\/makale\/hafizaya-karsi-hafiza-1990-sonrasi-turkiye-sinemasinda-ses-kasetleri\/","title":{"rendered":"Haf\u0131zaya Kar\u015f\u0131 Haf\u0131za: 1990 Sonras\u0131 T\u00fcrkiye Sinemas\u0131nda Ses Kasetleri"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p>T\u00fcrkiye&#8217;de 1990&#8217;lar\u0131n ortalar\u0131ndan itibaren, sinemada daha \u00f6nce ele al\u0131nmayan konular ele al\u0131nmaya ba\u015flanm\u0131\u015f; farkl\u0131 kimlikler kendilerine ifade alan\u0131 bulmu\u015f; g\u00f6rsel, i\u015fitsel, yaz\u0131l\u0131 vb. gayri resmi kaynaklar\u0131n kullan\u0131lmas\u0131nda art\u0131\u015f g\u00f6zlemlenmi\u015ftir. Gayri resmi kaynaklar\u0131 kullanarak T\u00fcrkiye&#8217;deki gayri resmi y\u00fczle\u015fme s\u00fcrecine katk\u0131 koyan filmlerin i\u00e7inde K\u00fcrt sorununu ele alan filmler dikkat \u00e7ekmi\u015ftir. Bu yaz\u0131ya konu olan ara\u015ft\u0131rma, bu y\u00f6netmenlerin T\u00fcrkiye&#8217;de milliyet\u00e7ilikle temaslar\u0131, ya\u015fad\u0131klar\u0131\/tan\u0131kl\u0131klar\u0131 ile film yapma nedenleri aras\u0131ndaki ili\u015fkiyi, bu toplumun \u00fcyesi olan ki\u015filer olarak gayri resmi kaynaklar\u0131 kullanmalar\u0131n\u0131n gayri resmi y\u00fczle\u015fme s\u00fcrecine katk\u0131s\u0131n\u0131 a\u00e7\u0131\u011fa \u00e7\u0131karmak \u00fczere yap\u0131lm\u0131\u015ft\u0131r. Nitel ara\u015ft\u0131rma y\u00f6ntemi kullan\u0131larak, benze\u015fik \u00f6rnekleme yoluyla se\u00e7ilen, gayri resmi kaynak olarak ileti\u015fim ama\u00e7l\u0131 kullan\u0131lan ses kasetlerinin yer ald\u0131\u011f\u0131 filmlerin y\u00f6netmenleri \u00d6zkan K\u00fc\u00e7\u00fck (Nohutlu Pilav, 2005), Zeynel Do\u011fan-Orhan Eskik\u00f6y (Babam\u0131n Sesi, 2012), Mizgin M\u00fcjde Arslan&#8217;a (Ben U\u00e7tum Sen Kald\u0131n, 2012), yap\u0131land\u0131r\u0131lm\u0131\u015f sorular sorulmu\u015f, yaz\u0131\u015fma yoluyla sorular\u0131n yan\u0131tlar\u0131 toplanm\u0131\u015ft\u0131r. Y\u00f6netmenlerin verdi\u011fi yan\u0131tlardan yola \u00e7\u0131karak T\u00fcrkiye&#8217;de resmi y\u00fczle\u015fme s\u00fcreci ba\u015flamam\u0131\u015f, ge\u00e7mi\u015fle hesapla\u015f\u0131lmam\u0131\u015f olmas\u0131na kar\u015f\u0131n; sineman\u0131n gayri resmi y\u00fczle\u015fme s\u00fcrecine katk\u0131 sa\u011flad\u0131\u011f\u0131, filmleriyle y\u00f6netmenlerin hat\u0131rlayarak ve seyircilere hat\u0131rlatarak unutturmaya kar\u015f\u0131 bir t\u00fcr direni\u015f alan\u0131 yaratt\u0131\u011f\u0131 ve gayri resmi kaynak olarak ses kasetlerini kullanarak kar\u015f\u0131 haf\u0131za olu\u015fturduklar\u0131 sonucuna var\u0131lm\u0131\u015ft\u0131r. Ara\u015ft\u0131rma, iktidar haf\u0131zaya egemen olmak, ge\u00e7mi\u015fle hesapla\u015fmaktan ka\u00e7mak istese de iktidar\u0131n kontrol\u00fc d\u0131\u015f\u0131nda kullan\u0131lan gayri resmi kaynaklarla kar\u015f\u0131 haf\u0131zan\u0131n kurulabilmesine, gayri resmi y\u00fczle\u015fme s\u00fcrecinin ba\u015flamas\u0131na sineman\u0131n nas\u0131l katk\u0131s\u0131n\u0131n oldu\u011funa dikkat \u00e7ekmi\u015ftir<\/p>\n","protected":false},"template":"","praksis_konu":[256,90],"praksis_yazar":[614],"praksis_anahtar":[],"class_list":["post-3481","praksis_makale","type-praksis_makale","status-publish","hentry","praksis_konu-kulturel-calismalar","praksis_konu-tarih","praksis_yazar-deniz-morva-kablamaci"],"_links":{"self":[{"href":"https:\/\/www.praksis.org\/en\/wp-json\/wp\/v2\/praksis_makale\/3481","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.praksis.org\/en\/wp-json\/wp\/v2\/praksis_makale"}],"about":[{"href":"https:\/\/www.praksis.org\/en\/wp-json\/wp\/v2\/types\/praksis_makale"}],"version-history":[{"count":1,"href":"https:\/\/www.praksis.org\/en\/wp-json\/wp\/v2\/praksis_makale\/3481\/revisions"}],"predecessor-version":[{"id":4292,"href":"https:\/\/www.praksis.org\/en\/wp-json\/wp\/v2\/praksis_makale\/3481\/revisions\/4292"}],"wp:attachment":[{"href":"https:\/\/www.praksis.org\/en\/wp-json\/wp\/v2\/media?parent=3481"}],"wp:term":[{"taxonomy":"praksis_konu","embeddable":true,"href":"https:\/\/www.praksis.org\/en\/wp-json\/wp\/v2\/praksis_konu?post=3481"},{"taxonomy":"praksis_yazar","embeddable":true,"href":"https:\/\/www.praksis.org\/en\/wp-json\/wp\/v2\/praksis_yazar?post=3481"},{"taxonomy":"praksis_anahtar","embeddable":true,"href":"https:\/\/www.praksis.org\/en\/wp-json\/wp\/v2\/praksis_anahtar?post=3481"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}